Book Review: Revolver: Sam Colt and the Six-Shooter that Changed America (2020). Jim Rasenberger.

This book was a bit slow and academic in style as popular biographies go, but had a very iconic American mid-nineteenth century historical figure as its subject. Of course, everyone has heard about Samuel Colt, his invention of the Colt revolver, and the old line about “God made men, but it took Colonel Colt to make them equal”. But there is a great deal more to Colt’s story.

Colt spent decades trying to invent things, frequently impressing people with his ambition and his inventing skills, but constantly being short of money, and continuing to tinker with his revolver design over many years, before he was finally able to convince the U.S. government to start buying it.

He is considered to be the real father of industrial mass production, which he created by building his own factories for gun manufacture. He survived several scandals, including the notorious trial of one of his brothers for murdering a young woman, and only saw his fortunes finally take off as a result of the Union’s industrial build-up for the Civil War.

By the time he died, he was presiding like a lord over his own “company town” in Connecticut, filled not only with the factories where his guns were made, but also the planned housing of his employees, for whom he had the same sort of godlike status as a modern-day Gates, Jobs or Zuckerberg.

Revolver is an interesting account of a controversial American industrialist, inventor and public figure, and the mid-nineteenth century American society in which he lived. It also gives some important historical context to how lethal modern repeating firearms were first developed and marketed to American society, culture and the government, long before our era of the NRA-supported gun industry, high-capacity pistols and military-style assault rifles. Recommended.

Book Review: News of the World (2016). Paulette Jiles.

This is a very satisfying Western story about an old man, a veteran of several American wars of the early and mid-19th century, who travels from town to town across the post-Civil War west, eking out a living putting on one-man shows, where he reads and comments on stories from the newspapers of the time.

At one stop, he reluctantly accepts the job of returning a 9-year old white girl, who's been abducted by and lived among Indians, to her surviving family members.  It’s a great Western adventure tale about two lonely but strong-willed people, who learn to love and care for each other across the wide bridges of age, culture, language and understanding between them.

I previously reviewed the movie version based on this book, starring Tom Hanks.  I would rate the book as even better than the movie, due to its sensitive and powerful evocation of the complex emotions and slowly-developing relationship between the old man and the girl, and its focus on the unusual history of whites kidnapped by Indians, who then didn't want to return to white society, or to be "rescued" from their Indian families and tribal life.  Highly recommended.

Movie Review: Being the Ricardos (2021). Amazon Prime.

This movie was heavily reviewed last year, mostly favorably, and was written and produced by Aaron Sorkin.  It features Nicole Kidman playing the role of Lucille Ball, during a particular week of filming of the second season of "I Love Lucy", in which she and her husband Desi Arnaz ((Javier Bardem) are trying to deal with tabloid reports that she is a Communist, how to reveal the fact that she is pregnant with a new TV season ahead of her, and pressures in the marriage as Lucille finds out that Desi may be cheating on her.

Kidman's performance is excellent, but the script doesn't require her to re-create many of Lucy's hilarious "physical comedy" performances in the show -- instead, she shows the "behind the scenes" Lucille, especially her genius at envisioning what would make a scene hilarious and believable, and her tough, calculating professional actress side, as she tries to get and retain the fame and respect she seeks. 

There were some disorienting "flash back" scenes, where I lost track of when the scene was taking place relative to the main story line.  But in general, this was an interesting and believable story of two famous Hollywood and TV icons, and their complex professional and personal relationship.  Recommended.

Book Review: Code Over Country: The Tragedy and Corruption of Seal Team Six (2021). Matthew Cole.

This book presents us with the dark side of one of the most legendary and highly-esteemed U.S. military units in our history.  It’s about the U.S. Navy SEALs, and especially the most elite SEAL team and its members, known as SEAL Team Six.

The author first tells the story of the Navy SEALs, going back to their initial formation as UDTs (underwater demolition teams) in World War II, divers whose job was to swim ashore on landing beaches to scout the terrain, and blow up obstacles that would otherwise impede troops as they landed on the beaches.  He then traces their evolution through the growing U.S. emphasis on developing special operations capabilities in the 1970s, 1980s and 1990s, including the rise of other groups like the Army’s Green Berets and Delta Force, as well as the SEALs.

Everyone knows about SEAL Team Six, who are by now the most famous of all the U.S. special operations groups.  Their members included the snipers who killed the Somali pirates who had kidnapped the captain of the hijacked American cargo ship Maersk Alabama, and also the team that attacked and killed Osama Bin Laden at his hideout in Pakistan.  These were both astonishing feats of military technical skill, planning and heroism, and they have been rightly celebrated by Americans.

The problem as Cole presents it is that SEAL Team Six had at its core from the foundation an ethos of loyalty and secrecy to the team and its commander that were counter to the general SEAL values of loyalty to the country, self-sacrifice and a willingness to stay quiet and not seek personal gain from the silent work they are charged with carrying out.  

The original founder of SEAL Team Six, Richard Marcinko, was considered by many to be an egotistical self-promoter, who wrote books about his exploits and did public speaking tours, and who was eventually dismissed.  Based on the example he set, though, others in the organization have since taken the same route, as has been seen in the years since the Bin Laden action, where several veterans of the raid have written “tell all” books, and tried to take credit from each other for firing the shots that killed Bin Laden.

Cole does a thorough analysis too of what the “Forever Wars” in Afghanistan and Iraq have done to the SEALS generally, and particularly to SEAL Team Six, in forcing them to move from being a small, secret elite force used for occasional special missions, to being deployed on a nightly basis for years on end as just another set of skilled killers in the “War or Terror”.  He describes the negative effects on the fighters in terms of PTSD, ruined marriages and family lives, and other familiar symptoms of these wars’ combatants, but also on how some of the SEALs eventually decided to leave the team, and then tried to monetize their special operations skills and experiences by going public about their exploits.

I recently reviewed Ryan Busse’s autobiography Gunfight, in which he describes how in the first decade of the 2000s, the NRA began to lionize elite fighters from the wars in Afghanistan and Iraq, and to use them to promote military-style weapons, equipment and combat apparel at NRA Conventions and in the gun industry’s media promotions.  I realized when reading the descriptions in Cole's book of how some of the self-promoting SEALs became “rock stars” of the NRA that they were undoubtedly some of the same people that Busse had been describing.  

We are probably seeing some unintended after-effects of this glamorization of the trappings of elite special operators in the spectacle of young men arming themselves with AR-15s, and wearing camo apparel and body armor to attack their local children’s school or grocery store, as well as in the heavily armed presence and paramilitary appearance of young male political protestors at rallies in the past several years.

Cole is clear in pointing out that most of the men (and they are almost all still men) in the SEALs and other special operations groups are dedicated, brave and highly-skilled American patriots, who routinely go above and beyond the call of duty to do what the country asks of them.  His point, though, is that the very code of the SEAL Team Six organization, and its tendency to keep secrets about problems and individual malfeasance within the group, creates a dangerous opportunity for operational mistakes and corruption to remain unexposed and unchallenged within the team, and by the political leadership of the nation and the public, and thus to continue.

This is a valuable expose’ about serious problems within one of our most storied and revered military units.  Highly recommended.

Movie Review: Downton Abbey: A New Era (2022). Theatrical release.

For the second time, the producers of the vastly popular Downton Abbey British TV series, about an aristocratic English family living in an old country mansion with their downstairs servant crew, have extended the story line of the show with a theatrical movie featuring all the same characters, actors and of course the glamorous old mansion where almost all the action takes place.  I had the good fortune to see it a couple of weeks ago on vacation, my first trip back into a public theater since the pandemic began, and in the longest continuously operating theater in the country!  It was really fun to be back in a movie theater again.

The first Downton Abbey movie, released in 2019, was set in the mid-1920s, and explored all the tensions and excitement upstairs and downstairs caused by a weekend visit by the king and queen of England (and their extensive staff, of course) to Downton Abbey.  It was well-received by the large world of Downton Abbey fans, but in fact it didn’t have a great deal of dramatic tension – nothing really important was at stake for any of the characters, as I recall.  For fans, though, it was just fun to see all the familiar, beloved characters back again, being together and doing what they do in their glorious old house.

This second outing makes an attempt to get back to more of the sort of intrigue, uncertainty and jockeying for position within the family and the household staff that drove the plot of the TV show.  The end of the 1920s is approaching, the world is changing, and suddenly it turns out that Violet (Maggie Smith), the ailing grand dame of the family, has inherited an exotic villa in Italy from a long-ago suitor, which she intends to pass on to one of her grandchildren.

While some of the family and staff head off to meet the prior owners of the villa, and try to piece together what long-ago romantic events (and possible scandal) caused this unexpected gift, the rest of the family and staff are at home, hosting a film crew that is making a silent movie in the grand old house, just as the industry is starting the transition to “talkies”.

There’s a lot going on in the family and the larger world outside, and it’s all the usual fun and surprises in the relatively safe world of the extended Crawley family.  Recommended.

TV Review: Party Tricks (2014). Amazon Prime.

Party Tricks is a 2014 Australian dramedy mini-series about a liberal female Prime Minister of Victoria (played by Asher Keddie), who suddenly has an upstart challenger, a handsome, charismatic journalist with a wealthy backer and no government experience (Rodger Corser), who has decided to run against her in an upcoming election.

The bigger problem for both of them -- the two of them had shared a secret extra-marital affair in the past, which they both hope desperately to keep quiet.

This series was very well done.  In a similar vein to the popular CBS series The Good Wife (but set in Australia), it explores the hazards and difficulties of having complicated personal lives and conflicted emotions under the intense pressures of competing political interests and relentless media scrutiny.  Recommended.

Book Review: Doomsday Book (1992). Connie Willis.

I re-read this excellent science fiction novel recently after many years (it was a Nebula Winner, originally published in 1992). What perfect pandemic-era reading!

This is the story of Kivrin Engle, a petite young Oxford undergrad history student in the year 2054, who is sent alone on the first time-travel study to the Middle Ages (time-travel having been discovered a few years earlier, and now being put to use as a historical research tool).  Her destination is the Oxford area, Christmas time in 1320, safely 28 years before the Black Plague will arrive, for a two-week observation and research trip.

Unfortunately, something goes terribly wrong in the time-travel drop, and she ends up desperately ill, and stranded back in the Medieval period, in a little village near Oxford, but not quite when she had intended.  Meanwhile, her academic mentor Mr. Dunworthy's frantic attempts to discover where she is, and rescue her, encounter endless obstacles as a mysterious new virus outbreak sweeps through the 2054 Oxford community.

A gripping and very moving story of the timeless nature of human emotions, behaviors and relationships, and the eternal presence of good and evil, and generosity and selfishness, in societies throughout history, regardless of their technological level.  Highly recommended.

Book Review: The Fifth Risk (2018). Michael Lewis.

Lewis, who is a prolific non-fiction writer with interests and expertise in the interplay of money, statistics, business and politics (as displayed in books such as Moneyball and The Big Short), shines a light on what the administrative agencies of the U.S. government (i.e. the "Deep State") do for us as citizens and members of U.S. society.

He spotlights a number of key figures in various agencies, including the National Oceanic and Atmospheric Administration (NOAA), the National Weather Service, the Department of Commerce and the US Department of Agriculture (USDA), describes what they do and why these services are so important to our success and survival as a society.  He then focuses on how the Trump Administration set out to destroy these agencies through a lack of presidential transition planning, appointment of inept, corrupt administrators, and deliberate attempts to monetize their valuable governmental functions and assets for private gain.

A disturbing and less-well-known aspect of the Trump presidency and its disasters, nicely-told and explained, and a very absorbing read.  It is also a strong counter-narrative to the cynical view that good government doesn't matter, and doesn't do anything important for us as individuals and as members of a national community.  Highly recommended.